Quasi-Human[e] by Komok: A Review

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In the bustling heart of London, one artist is carving out a name for himself at the intersection of music and visual storytelling. Alessandro Inglima, the Italian composer behind the project Komok, is a visionary who’s spent years mastering the art of blending sound with cinematic experiences. With the release of his single “Quasi-Human[e]” on February 6, 2026, he plunges boldly into the realm of electronic music, showcasing a passion that transcends mere genre conventions.

“Quasi-Human[e]” is more than just a song; it’s a thrilling journey through sound that evokes various musical styles, weaving together threads of acid house, big beat, IDM, and leftfield techno. Picture a mash-up where the spirited essence of early Daft Punk’s funk collides with the playful audacity of Aphex Twin, all while basking in the vaporwave haziness reminiscent of vintage video games. This sonic tapestry is laced with a gritty authenticity that feels refreshingly unpolished, yet inviting.

The track opens with a deliberate restraint, setting a scene that gradually builds tension. As gritty drums emerge, they drive the rhythm forward while lighter synths pulse like distant cockpit lights in an abandoned spacecraft. This captivating introduction envelops listeners in a richly atmospheric soundscape. The low-hanging groove captures the essence of a space where time slows down, making it feel both familiar and introspective.

As the piece evolves, it cleverly introduces a robotic pulse that lifts the energy, steering “Quasi-Human[e]” towards a catchier rhythm. Just when listeners think they have it figured out, Komok takes a daring leap: he momentarily silences the layers, creating a palpable tension before reintegrating them with an exhilarating buzz. This breadcrumb trail leads to a crescendo that embodies not firework displays but an anticipatory pressure—a head-bopping momentum perfect for late-night listening.

What sets “Quasi-Human[e]” apart is how it serves as a compelling gateway into the larger world of Protopia. This instrumental album aims to create immersive sonic landscapes, encapsulating imagined futures and environments that linger in the listener’s mind. Complemented by microfilms and visualizers, each track invites an exploration into realms that are both otherworldly and intimately relatable. With “Quasi-Human[e]” as its first offering, the project hints at a journey rich in narrative and emotional depth.

For those eager to follow this exciting journey, connect with Komok on various platforms including:
INSTAGRAM |
SPOTIFY |
BANDCAMP |
WEBSITE |
YOUTUBE

Review by: Naomi Joan