The Rise of Virtual Production in Ballet: “Marie Antoinette: Vampire Queen of Versailles”
A Touch of Glamour in Austin
AUSTIN, Texas — The enchanting imagery of the Palace of Versailles springs to life within the walls of a warehouse in Austin, Texas. While one might expect to wander through the historic halls of extravagance in France, a groundbreaking project is blending ancient opulence with modern technology right in the heart of the Lone Star State. Virtigo Pictures Studios is the stage for an innovative approach to ballet, where the illustrious Hall of Mirrors and Marie Antoinette’s candlelit chambers are meticulously recreated using cutting-edge virtual production.
A Theatrical Revolution
This production is not just any ballet; it’s “Marie Antoinette: Vampire Queen of Versailles,” an audacious new work by Stephen Mills of Ballet Austin. The concept intertwines the lavish aesthetics of the 18th century with a contemporary narrative twist. This unique performance merges the rich history of ballet with groundbreaking digital technology, showcasing a future where ancient stories are rejuvenated through modern methods.
The Technology Behind the Magic
At the heart of this production lies sophisticated technology. Justin Kirchhoff, the chief technical officer at Virtigo Pictures, details the intricate setup. A cinema robot from RE Motion supports a specialized digital cinema camera, enabling the creative team to execute repeatable shots with precision. “The robot’s the perfect way to do that,” Kirchhoff explains. The ability to recreate shots countless times ensures that every detail aligns perfectly, enabling a flawless representation of the artist’s vision.
A Virtual Stage in the Heart of Texas
Thanks to Unreal Engine, the same software used in blockbuster video games, the dancers transport themselves to a vibrant virtual Versailles without ever leaving Austin. Paul Michael Bloodgood, director of creative services at Ballet Austin, captures the essence of this innovation: “We’re shooting — we’re in Versailles Palace in Austin, Texas, in a warehouse.” This radical transformation allows for an immersive experience that bridges the gap between the past and the present, adding an exciting layer to traditional ballet.
Collaboration at Its Finest
This project marks the fourth collaboration between Virtigo Pictures and Ballet Austin, following previous successes like a recreation of Edgar Allan Poe’s world. Each initiative builds on the successes of the last, with technology advancing dramatically over the past five years. Kirchhoff notes, “We have LED walls from a manufacturer in China, a robot from Japan, a camera from America — combining all these technologies to create this art.” This melding of resources exemplifies how creativity and innovation can transcend boundaries.
The Intersection of Old and New
“Marie Antoinette: Vampire Queen of Versailles” is not merely a performance; it’s an embodiment of how old-world artistry can be rejuvenated through modern technology. As the walls of the warehouse come alive with the elegance of colonial France, it becomes apparent that a new era of performance art is on the horizon. The dancers, immersed in a beautifully constructed virtual landscape, invite audiences to experience a narrative that defies geographical limitations.
An Upcoming Spectacle
The premiere of “Marie Antoinette: Vampire Queen of Versailles” is set for March 27 through March 29 at the Long Center. As artists continue to push the boundaries of creative expression with the aid of technological advancements, audiences can anticipate a mesmerizing blend of tradition and innovation, captivating the imagination right here in Austin.
