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Beats and Pieces Volume 89

Written by: BEATMAG
Last updated: 27/02/2026
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Beats and Pieces Volume 89

Exploring the Vibrant Music Scene of Te Whanganui-a-Tara

Te Whanganui-a-Tara, known to many as Wellington, New Zealand, is not only the capital city but also a hub of creativity and cultural expression. Recently, the local music scene has been buzzing with fresh releases and exciting events, showcasing the immense talents of its artists. This article delves into the compelling stories, new music, and events shaping the soundscape of this vibrant community.

Contents
  • A Note from Martyn Pepperell
  • Event Highlight: Clear Path Ensemble at MEOW
  • Premiered Remix: Frau Knotz’s ‘Victory Dance on ZR3’
  • New Single Alert: Oddisee x Kobie Dee – ‘No Disrespect’
  • Parking Day: A Community Celebration
  • Insights from the Playlist
  • Conclusion

A Note from Martyn Pepperell

Freelance music journalist and broadcaster Martyn Pepperell, also known as Yours Truly, has been at the forefront of documenting Wellington’s music culture through his weekly newsletter, Selected Works. With offerings that pair personal reflections, curated playlists, and film photographs, Martyn’s newsletter keeps readers engaged with the latest happenings in the music scene. After an invigorating trip to Bali and the Splore Festival in Tāmaki Makaurau, he has shared some exciting new material from local artists including Frau Knotz, Amamelia, Oddisee, and Kobie Dee.

Event Highlight: Clear Path Ensemble at MEOW

Mark your calendars for February 28, 2026, as Cory Champion’s Clear Path Ensemble makes a grand return to Te Whanganui-a-Tara. This performance, held at MEOW, follows the group’s excellent reception after their third album, Black Sand, and their award-winning track ‘Cascade d’Ars’. Fans can expect to be enchanted with both new improvised pieces and their signature celestial jazz fusion heaters. Clear Path Ensemble’s commitment to pushing musical boundaries makes this show a can’t-miss for local jazz enthusiasts. Tickets are available online, ensuring this will be an early evening filled with remarkable sound.

Premiered Remix: Frau Knotz’s ‘Victory Dance on ZR3’

Through a collaboration with Mixmag ANZ, Martyn has also helped introduce a fresh take on Frau Knotz’s energetic track, ‘Victory Dance on ZR3’, reimagined by New Zealand’s own Amamelia. The remix showcases a unique blend of techno, jungle, and happy hardcore, offering a sonic journey back to the pulsating energy of early ‘90s warehouse raves. This remix is the first of two planned releases, highlighting Frau Knotz’s visionary approach to contemporary electronic music.

New Single Alert: Oddisee x Kobie Dee – ‘No Disrespect’

Another noteworthy addition to the local music scene is the collaborative single ‘No Disrespect’ featuring Oddisee and Kobie Dee. This track embodies a seamless blend of funk-fueled beats and insightful storytelling, reflecting the life lessons and aspirations of its artists. With lyrics that resonate widely, it communicates a sense of opportunity and ambition, making it an anthem for anyone striving to pave their own path. This release continues a series of collaborations under Low Key Source, further connecting the musical energies between New Zealand and Australia.

Parking Day: A Community Celebration

The annual Parking Day event in Te Whanganui-a-Tara is set to add another layer of vibrancy this Saturday morning. Martyn will join the Radio Active 88.6 FM crew, transforming urban spaces into lively community hubs filled with music and dance. From 10 a.m. to 5 p.m., attendees can enjoy an eclectic mix of music and a chance to build community connections—all for free. With no barriers, this event celebrates local culture and creativity, inviting everyone to partake in the joy of music.

Insights from the Playlist

In the current edition of Selected Works, Martyn shares what he’s been listening to lately, revealing a mix of both nostalgic and contemporary sounds. Highlights include:

  • Lace Mine: Described as an artist to watch, showcasing remarkable staying power in the current music scene.
  • Neil Davidge’s Blue Eyed Boy: ’80-’84: Offering a glimpse into the past with previously unreleased works from Big Outdoor Type, bridging connections between past and present.
  • New Zealand’s Post-Punk Classics: Celebrating a sampling of timeless recordings that have maintained their relevance over the decades.

Conclusion

Martyn Pepperell’s Selected Works newsletter encapsulates the essence of Te Whanganui-a-Tara’s vibrant music scene through engaging storytelling and insightful music explorations. With compelling performances, innovative releases, and community events on the horizon, Wellington continues to assert itself as a significant player in the larger landscape of contemporary music culture. The city’s heartbeat resonates through its artists, connecting them to their audiences in meaningful ways, forging a dynamic and inclusive musical journey.

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