YAMATOMAYA: The Rising Star Melding Classical Influences with Progressive House

A Defining Phase

With growing international momentum, performances across Europe and Asia, and a key milestone release on Black Hole Recordings, YAMATOMAYA is carving a unique niche for himself in the electronic music scene. Blending progressive house with rich classical vibes, his music invites listeners on an emotional journey that transcends genres.

The Fusion of Classical and Electronic

Q: Your sound mixes progressive house with classical vibes — how did that blend come together, and does your background in ballet and classical music still shape how you build your tracks today?

A: It actually came together quite naturally. Having grown up practicing ballet, I was deeply influenced by classical music. Composers like Tchaikovsky were significant in shaping my musical tastes. As I transitioned into dance music, I realized that the emotional depth of classical elements resonated perfectly with electronic sounds. That’s why classical motifs are consistently woven into my tracks, forming a distinctive theme.

The Unmistakable YAMATOMAYA Signature

Q: What’s one thing about your production that feels uniquely “YAMATOMAYA”?

A: I think it’s the emotional structure. Even a club track is designed to feel like it’s going somewhere—a journey rather than just a drop. There’s often a slightly cinematic or melancholic layer beneath everything, even when the energy spikes. This contrast is something I continuously explore.

Crowd Dynamics: Europe vs. Asia

Q: You’ve played festivals across Europe and Asia — how do the crowds compare, and has that influenced your sound?

A: They’re distinct but appreciate music in their own ways. European audiences tend to be very immersed; they listen deeply and feel a connection to the progression of the set. In contrast, Asian crowds often exhibit explosive energy, reacting in the moment. This duality has shaped my sound; I aim to create music that resonates on both levels—something to feel and something to lose yourself in.

Defining International Moments

Q: Was there a moment or show where you really felt things went international for you?

A: There wasn’t a single defining moment, but playing shows outside Japan and witnessing audiences who had never heard my music yet felt connected to it was eye-opening. It made me realize that music has its own universal language. With several new tracks coming this year that I truly believe in, I feel that my international presence is about to grow significantly.

Milestone: Black Hole Recordings

Q: Having your music released by Black Hole Recordings was certainly a huge step forward. What was your first reaction when you found out it was happening?

A: Honestly, it was disbelief at first. Black Hole has a storied legacy in trance and progressive music, so being part of that felt monumental. But that disbelief quickly transformed into motivation. I’ve dedicated time to evolve and refine my sound, with several promising tracks ready to release. 2026 marks my intent to scale new heights, and I hope this is just the beginning of something substantial with the label.

Crafting “Endless”

Q: Can you tell us the story behind your upcoming release – “Endless”?

A: “Endless” captures the essence of being caught up in moments you never want to end—a connection, a phase of life. It carries an emotional weight, but not in a sorrowful sense; rather, it embodies a feeling of being suspended in time. The track evolves continuously, giving the impression that it is never truly resolved.

The Club vs. Festival Experience

Q: We feel like it works both in clubs and at festivals — where do you think it hits the best with your fans?

A: The impact varies by venue. In a club, you can dive into the intricate details and emotions, creating a more intimate experience. At festivals, the sound feels immense, and the energy is amplified, playing out across larger crowds. Ultimately, “Endless” adapts to resonate for listeners in either setting.

Influences that Shape Sound

Q: Who are the artists or composers that have shaped your sound the most? And are there any non-electronic influences that still inspire you today?

A: My early exposure to ballet music, particularly from composers like Tchaikovsky, has significantly influenced my emotive approach. Additionally, artists like Arty, Eric Prydz, Above & Beyond, Kasablanca, and anamē have all played vital roles in shaping my sound, closing the gap between classical and electronic music.

Dream Collaborations and Stages

Q: If you could collaborate with anyone — electronic or classical — who would it be? And is there a dream stage or festival you’re still aiming for?

A: I’d love to collaborate with luminary artists like Armin van Buuren, Tiësto, and Ferry Corsten. Their unique sounds have inspired my journey. Stages like Transmission, Dreamstate, and A State of Trance hold significant meaning for me. To perform on those stages would be a dream come true.

Anticipating the Future

Q: The melodic and progressive scene is evolving fast and becoming more open to Asian artists — where do you see yourself going next, and what can we expect from your upcoming releases?

A: It’s heartening to observe the scene opening up. I feel this is my moment. I’ve embraced a new phase, ready to unveil several tracks that I’ve been holding back. My aim is to scale internationally, reaching top-tier status and sharing the stage with the artists I admire. My upcoming release “Endless” defines this evolution and marks the exciting road ahead.

Get “Endless” on Beatport