The Dream Collaboration: Seven Lions and the Seattle Symphony
Sometimes the “pipe dreams” we entertain become vibrant realities. This is exactly what electronic music producer Seven Lions, also known as Jeff Montalvo, is experiencing as he gears up to collaborate with a full orchestra. The Seattle-based artist, who has risen to fame for his cinematic bass music, first dipped his toes into orchestral sounds with the release of “Opus” in 2021. This acoustic reinterpretation of his tracks, performed with the string quartet Atlys, sparked his ambitions for a grander orchestral experience, paving the way for an exciting new collaboration.
A Historic Performance at Benaroya Hall
The anticipation for this unique partnership culminates in a one-night-only performance at the newly renovated Benaroya Hall. The Seattle Symphony is set to reimagine Montalvo’s melodic bass tracks, something that had been discussed for over a year before coming to fruition. Initially, the idea of working with a 60-piece orchestra felt like a distant dream for Montalvo. However, a series of creative discussions with Andrew Joslyn, the Symphony’s associate director of popular programming, transformed this vision into reality.
“Working with a 60-piece orchestra and having them reconstruct all of your songs — that just never really felt within the realm of possibilities,” Montalvo confessed. The upcoming concert marks a significant milestone as the Seattle Symphony’s first collaboration with an artist from the electronic dance music (EDM) genre.
Blending Classical and Electronic Sounds
For many, the fusion of classical and electronic music might seem perplexing, as these genres often occupy opposing ends of the musical spectrum. However, Seven Lions’ intricate soundscapes, rich with grandiose themes and narratives, are ripe for orchestral adaptation. His music is characterized by euphoric highs and deep valleys, reminiscent of both the emotional gravity often found in classical compositions and the vibrant energy of electronic beats.
Andrew Joslyn noted the unique challenge that electronic music presents to an orchestrator. “So much of its identity comes from sound design, production, and textures that have no direct acoustic equivalent,” he explained. The collaborative process is less about imitation and more about exploring how various instruments can convey the same weight and energy of instrumental electronic music while remaining true to the artist’s voice.
A Thriving Seattle Music Scene
Joslyn’s initiative with the Seattle Symphony has energized the venue’s pops programming, showcasing collaborations with diverse artists such as Nancy Wilson and Macklemore. Seven Lions is now stepping into a long lineage of local artists who have participated in this exciting tapestry of music, contributing to a renewed tradition in Seattle’s artistic landscape.
Despite sometimes feeling like an outsider, especially as a transplant artist, Montalvo has made significant strides in integrating into the Seattle music community over his decade-long residency in Washington. That sense of acceptance was evident during the rapid sellout of tickets for the upcoming performance, leaving Montalvo feeling more connected than ever to the local narrative.
Returning to Roots
Interestingly, during this performance, Montalvo will take to the drums, an instrument he hasn’t played in nearly two decades, harkening back to his early days in metal bands. This shift signifies a more active role for him during the concert, moving beyond simply controlling a backing track. “I want to be integrated into the actual music, rather than just a DJ standing behind a laptop,” he shared.
The setlist promises a nostalgic journey through Montalvo’s career, featuring older tracks alongside selections from his latest album, “Asleep in the Garden of Infernal Stars.” This album represents a pivotal moment for the artist, reaffirming his core identity as he navigates the evolving landscape of dance music.
Defying Expectations
As Montalvo approaches his fortieth birthday, he reflects deeply on his place in the electronic music tapestry. “I really don’t know how I fit in with this landscape of electronic music at all anymore,” he admits candidly. Yet, instead of conforming to the genre’s ebb and flow, he doubled down on his artistic vision, taking the creative reins and moving strategically into work that speaks to his true self.
The upcoming collaboration with the Seattle Symphony is not just a testament to Montalvo’s evolution as an artist; it reflects a changing dialogue between genres, cultures, and communities. As these two worlds converge, the upcoming performance is sure to create a memorable experience for both the artists involved and the audience.
