POLOVICH Conversation 2026

POLOVICH: Slovenia’s Rising Star in Electronic Music

Photo Credit: Rok Dezelak

Emerging from Slovenia, POLOVICH is turning heads in the electronic music scene with his infectious energy and innovative sound. The artist has swiftly made his mark by collaborating with notable names in the industry like Matroda, Lee Foss, and AYYBO. His work has garnered the attention and support of industry titans such as Dom Dolla, John Summit, and Fisher. With hits like ‘Blow Your Mind’ and ‘Foot on the Gas’ dominating the Beatport charts—reaching No. 1 on the Indie Dance Hype chart and landing in the Top 3 on the Indie Dance chart—POLOVICH is a name that is quickly becoming synonymous with success in the electronic realm.

His latest release, ‘Dirty Dancing’, featuring the talented vocal stylings of LexBlaze, showcases an unfiltered and innovative edge within the modern dance music landscape. The track boasts an irresistible hook and has already gained traction with millions of streams and placements on influential playlists like New Music Friday and Tech House Operator. As his popularity soars, it’s clear that POLOVICH is solidifying his status as a formidable force in global dance music.

We had the opportunity to sit down with POLOVICH to discuss his artistic origins, collaborations, and plans for the future.

EG: Hey POLOVICH, welcome to EG! Let’s take it back to the beginning. How did you first dive into electronic music, and were there specific artists or experiences that propelled you towards this path?

POLOVICH: Thanks for having me! My journey started at a young age, largely thanks to my father, who was a huge fan of electronic music. Growing up in that environment set the stage for me. When I was eight, he took me to see David Guetta perform in Slovenia, which left a tremendous impression on me. The energy from the crowd and what was happening on stage sparked something inside me. I remember thinking, “This is what I want to do someday.”

EG: Beatport has been essential for electronic music over the years. How crucial do you believe Beatport’s support and chart success is for a DJ and producer’s career? What has your experience been with the platform?

POLOVICH: Beatport is incredibly impactful for artists. Many industry professionals track the charts, and when a track starts to climb, it can draw significant attention and open new doors. For me, achieving #3 on the Indie Dance chart with ‘Affection’ was a major milestone, and then ‘Foot on the Gas’ reaching #1 on the Indie Dance Hype chart further amplified my exposure. As my tracks gained chart traction, I noticed a rise in outreach from industry figures and other DJs, which has been vital in helping my career evolve. The platform has played an instrumental role in presenting my music to a wider international audience.

EG: As an artist from Slovenia, how do you think your music resonates so strongly with listeners and DJs in the United States?

POLOVICH: It’s fascinating! I’ve always been influenced by the kind of electronic music that speaks to American audiences. Performing in the U.S. was something I always aspired to, and it feels like I manifested that dream. I began seeing DJs play my tracks in their shows across America, which naturally led to growing recognition from U.S. listeners. It’s exciting to observe that bond develop despite the physical distance!

EG: Vintage Culture recently showcased one of your tracks in an interview with Complex. What was your reaction to having your music included, and why do you think that track resonated with him?

POLOVICH: It was an incredible honor! Vintage Culture is an artist I admire greatly, so to see my track included among such a select few was truly special. I believe the track connected with him because it has an energetic quality that fits well within his sets, but it also has unique elements that make it stand out. I can’t pinpoint exactly what drew him to it, but sharing that moment with an artist of his stature was a significant point for me.

“I always try to create something fresh and unique rather than repeating what I’ve already done.”

EG: We’ve heard that attending Tomorrowland with your family has become a tradition for you. Can you share what it was like to hear FISHER play your track there?

POLOVICH: That moment is etched in my memory forever. I knew there was a chance FISHER would drop my track during his set, so I was on high alert. When he finally played it, I felt like the happiest person alive! It was the first time I heard my music played live on such a big stage and being there with my family made it all the more meaningful.

EG: Collaboration and peer recognition hold significant weight in electronic music. Who are the established artists or figures that have influenced your journey, and what collaborations have emerged from these relationships?

POLOVICH: My journey really kicked off with Matroda, who was the first major artist to support my music. Our collaboration on ‘The Funk You Want’ was pivotal in launching the POLOVICH project in 2023, opening doors for more opportunities. Then in 2025, AYYBO came into the picture, supporting my work during Miami Music Week and later signing several of my tracks to his label. This momentum eventually led to Lee Foss showing interest in my music as well. It’s like a snowball effect—once you gain momentum, it keeps growing, and I feel that expand continues to happen today.

EG: Over the past few years, your career has seen notable growth. Reflecting on how far you have come, what key releases or moments stand out as turning points for you?

POLOVICH: I’d say my remix of Eurythmics’ ‘Sweet Dreams’ was crucial in putting me on the international map. I created it just for fun but didn’t expect it to gain such traction. It became my most supported track and introduced me to audiences far beyond Slovenia, marking a pivotal moment in my career. It was a defining moment showing me that music created in my home could connect with people globally.

EG: You’ve received support from numerous esteemed artists. Which moments of support have been particularly meaningful to you, and when did you realize that your music was reaching such a high-caliber audience?

POLOVICH: One of the most impactful moments was when RÜFÜS DU SOL played my ‘Sweet Dreams’ remix at their shows for months; that was a major highlight for me. Additionally, Vintage Culture’s endorsement felt significant, as did my personal experience with Max Styler when he played my music live and I eventually met him at Tomorrowland this year. AYYBO has been a consistent supporter, playing nearly every track I’ve shared with him. Realizing my music was being played consistently by these artists made me aware of the wider reach I was achieving.

“As my tracks started climbing the charts, I noticed more industry people reaching out, new DJs supporting my music, and fresh opportunities arising.”

EG: With a saturated House music scene, what do you feel sets a POLOVICH record apart? How has your musical identity evolved over the years?

POLOVICH: I think what makes a POLOVICH record recognizable is that I don’t stick to one particular sound or formula. I aim to create something fresh and unique every time without falling into repetition. Sometimes it involves blending different genres, experimenting with unexpected sounds, or simply approaching production from a new angle. Over time, listeners might start noticing recurring patterns or details throughout my catalog, but finding my artistic identity is an ongoing journey that I continue to explore.

EG: You have a new single – ‘Dirty Dancing’ – on the way. Can you delve into the story behind this track? When and where did you create it, and what inspired it?

POLOVICH: The idea for ‘Dirty Dancing’ came together earlier this year when LexBlaze sent me a captivating vocal. Right away, I felt this club vibe, resonating with the energy of living in the moment, dancing through the night, and immersing oneself completely in music. The track reflects my current sonic direction, which is all about experimentation and attempting to create something that feels fresh. ‘Dirty Dancing’ embodies that excitement for me, which is why I decided to release it.

EG: As your career expands, what does success look like for you? Is it primarily about pushing music and performances further, or do you have broader aspirations?

POLOVICH: While I definitely want to advance my music and performances, I’ve always envisioned myself as someone who can build something beyond mere records and shows. My long-term goal is to create a recognizable artist brand and establish a world around the POLOVICH project that brings together individuals who resonate with the music, energy, and essence of what I represent. I want to foster a community where people feel they belong and can express themselves. Music will always be at the core of everything, but ultimately, I aim to build something that people can identify with and be part of.